(Here is Part 1)
In Legally Blonde by Amanda Brown, Elle Woods' classmates are a bunch of one-dimensional stereotypes, and that is all there is to them.
There
is the feminist stereotype, trying to change people's word usage. There
are two hippies, with their sprout and tofu sandwiches. There is the
bookworm girl.
There are the Trekkies, who of course are smart in
their classes and socially clueless. At first, she is picked on by
them, in a reversal of how it was in high school for her. That could
have been interesting, but it went absolutely nowhere. She also learns
nothing from it, and the head Trekkie even sends her cookies for
Valentine's Day. Because of course he wants her, even though she wouldn't give him the time of day!
(About
Valentine's Day--one thing I thought was strange, was that everyone
seemed to dress up in festive clothes on all the holidays. Do people do
that in California, where it's set? Most don't do that in Oregon, where I
live.)
I don't even know why the author chose to give all of
these people names, for how little they impact the story. I remember
forgetting all about them, then wondering who was Larry, who was
Sidney, etc, when they were mentioned later.
For a book about
how the snooty students at Stanford underestimate Elle because they
stereotype her, Elle seems to be doing a whole lot of stereotyping,
herself.
They don't impact her story at all, because she doesn't
get to know them at all. She becomes friends with only one of them,
Eugenia, who literally does nothing but tell her how great she is and
how she's smarter than Eugenia. (And that job could have easily been
handed off to a gay best friend, who would have made the story
marginally more interesting.)
I get the impression that the author
based her stereocharacters on people she really encountered at school.
But we don't get to know them at all. So how well did she really know
them? They are nothing but stereotypes to us, because they were nothing
but stereotypes to her.
There is one small "surprise"
in the story, in that "Larry," just another forgettable character,
turns out to be her secret admirer, who writes poetry to her and helps
her by giving her class outlines that I assume literally any college
student could have gotten for themselves. Don't they give these out at
the beginning of the class, anyway? They sure did at my community
college! So I assume they would do the same at an Ivy League school. I'm
sure there is also a place online where she can look it all up. It
really doesn't do anything at all to show that she's smart, or that he's
helpful and clever.
I'm also not sure why Elle is so surprised
that Larry writes poetry, because she had to have known that one of her
classmates...was writing poetry! There is nothing where she thinks that
it couldn't possibly be him, no scene where she even wonders who it
might be (as if love poetry just shows up in her mailbox because that's
how the universe works). Her admirer is not even revealed to be a woman,
because that would both be an interesting twist, and would give
representation to an LGBT person. It couldn't even be Eugenia.
And of course
the pretty, popular girl has a secret admirer and gets an apartment
filled with flowers on Valentine's day. Does this happen at your school,
much less at college?
And of course, the secret poetry writer is
secretly in love with her, even though they've spent absolutely no time
together, and he confesses his love to her. But that, too, goes
nowhere! She doesn't return his love, and she doesn't have to let him
down easily or fend him off because he's become a stalker. He confesses
his love, and she doesn't even really reply to him, just gets in her car
and drives off. I've actually quite forgotten what happens--because
nothing happened! And we never see Larry again! I remember thinking that
this should be an interesting scene, but it's not.
There
are so many paper-thin stereotypes that weren't even filler, because
they didn't do their job of filling up pages. The book even describes
what conversations she overheard while waiting in line to purchase her
books. And the conversations have no bearing on her or the plot at all.
They're just the typical conversations one overhears while out and
about--nothing interesting or special at all!
But there is
one stereotype whose absence is really felt, in a book about stereotypes
and fabulous blondes. You can probably guess who I'm talking about.
Elle Woods has no Gay Best Friend (TM). Never has the absence of a
Z-snap been so loud.
There are male hairdressers, however that in
itself is not representation, and they don't play much of a role in the
story at all.
I thought that perhaps it was a Young Adult book,
and that YA books were squeamish about LGBT people. But I found nothing
on the cover to indicate that it was a YA book, no mention of the author
even writing YA books.
There are also scenes in which Elle
"leaned forward seductively," and said that she wanted to keep her and
Warner's celebration "going all night long." She thinks about nights
spent in his arms. So even though it's rather tastefully done, it's very
plain that she has premarital sex, plans and all but asks for sex, and
is never sorry about any of it! And they sexualize LGBT people! Double
standard, much?
I thought perhaps that the author was
homophobic, but she has male hairdressers and never mentions their wives
or girlfriends. (And don't bother wondering--they don't even say
anything, or touch Elle's hair, so they're not worth your time, either.)
She had to have known what she was implying. And again, she's perfectly
okay with premarital sex among her characters, so she apparently isn't
religious.
She could have easily made the feminist stereotype a
lesbian, too--that's another stereotype, which she apparently likes.
But the character's sexuality is not mentioned, and Elle doesn't even
think about it.
The movie does a better job of including gay
characters, even though the three (two?) characters explicitly stated to
be gay are walking stereotypes. I wondered if there were two, because a
stereotypical male hairdresser makes an appearance to remark on the
"bend-and-snap" technique. (Another thing missing from the book, along
with the subplot about the manicurist having a crush on the UPS guy.) He
may not be gay in the movie's canon, but he's definitely coded gay.
Come to think of it, both the poolboy and his boyfriend might be
bisexual, even though Elle assumes the poolboy is gay. Regardless, the
film does portray at least two LGBT characters, which is two more than
the book.
And speaking of lack of diversity, all of
the students, in both her schools, are all white, straight, cisgender,
able-bodied, and come from wealthy, upper-class backgrounds. No one is
described to be otherwise. And even they don't take Elle's dream of
starting the Blonde Legal Defense Fund seriously. (That's book-only,
thank goodness.)
As a blonde, let me say--Elle, please stop! Even
if there is anti-blonde discrimination, it is not systemic, not
pervasive, and in some places, being a blonde might actually help get
you a job (Fox News, for example, though apparently there is also a
problem of sexual harassment at that company--something brunettes go
through too). There is also the little detail that, unless one dyes
their hair, most blondes are white. I am afraid that fighting for the
rights of blondes makes a mockery of other fights for equality.
It
is also quite clear that Elle is a very wealthy young woman. She does
not think once about the cost of tuition to an Ivy League school, her
own private, pet-friendly apartment off-campus, or about paying off her
years at state college. She "had to trade in her BMW for a Beemer."
(Boo-hoo, poor little rich girl.) I'll bet it wasn't a used Beemer,
either. She also has designer luggage and clothes, and the descriptions
of her clothing made me think that she had quite a lot of clothes. She
apparently brought evening clothes to college with her, and apparently
has Halloween costumes and a special outfit, covered in hearts, that she
only wears on Valentine's Day. That's an awful lot of waste, right
there--of time, money, space, etc. Kind of like the book itself.
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